DIPLOMAT_2019-12-31_0079
A major installation, handwoven from marine rope by the Maori women of the Mata Aho Collective in Aotearoa, New Zealand, in Àbadakone at the National Gallery. (Photo: Yokohama Museum of Art)
A major installation, handwoven from marine rope by the Maori women of the Mata Aho Collective in Aotearoa, New Zealand, in Àbadakone at the National Gallery. (Photo: Yokohama Museum of Art)
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A major installation, handwoven from marine rope by the Maori women of the Mata Aho Collective in Aotearoa, New Zealand, in Àbadakone at the National Gallery. (Photo: Yokohama Museum of Art)
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MaID I Syracuse, 2015, by Zanele Muholi of South Africa, in Àbadakone at the National Gallery. (Photo: CUAG)
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Carol Bajen-Gahm’s work is showing at Sivarulrasa Gallery. (Photo: CUAG)
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Hyun Mi Yoo’s Good Luck — The Ten Traditional Symbols of Longevity No.1 is part of One Inspiration: The Very First Ideas from Korean Tradition and Culture, at Gallery 101 and the Korean Cultural Centre. (Photo: CUAG)
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Above, one of the photographs from Jennifer Dixon’s The Credo Project, at the Ottawa Art Gallery. Right, Poker Face, by Matthew Jeffrey, at Orange Gallery. (Photo: photos Courtesy of the galleries)
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photos Courtesy of the galleries
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SAW Gallery holds its SKETCH fundraiser Feb. 14. Artists, illustrators and designers from Canada and around the world support the event to benefit the artist-run centre. (Photo: Guy L’Heureux)
